With an articulating display that opens out to the side, it won’t be blocked by a shotgun mic mounted on the hot shoe, so you can vlog obstruction-free, and it also has a full-sized HDMI-out, for easy-to-access clean video – perfect for pairing with an Atomos Ninja V, for example. Panasonic's DFD AF has steadily improved, but it still tends to hunt and lose contact with subjects – which is bad news if you are trying to film yourself. Panasonic has stuck with its own DFD contrast-based autofocus even though rival makers have switched to faster and more reliable phase AF. But while the GH5 II might appear superficially similar to its predecessor, it incorporates a large number of improvements and additions that make quite a difference when you add them together – and they are even more impressive given the price. A Mark II version of anything is likely to be a refresh rather than a whole new camera, and it’s the same here. GoPro Subscription explained: what you get, and is it worth it Read our full GoPro Hero 11 Black review for more details Particularly appealing to folks who use multiple social platforms, nothing else can do quite what the 11 Black can. Still, with its new 8:7 sensor, a simplified interface, and enhanced horizon leveling, it's upgraded GoPro's offering in a meaningful way. The Hero 11 Black might not have wildly improved the line's lowlight performance. GoPro's HyperSmooth stabilization is better than ever before, the updated hardware and software make it even more powerful and video quality is very good, except for in dimly lit environments. When shooting in 8:7 it outputs video at 30fps and footage can be losslessly cropped to create 4K portrait, landscape, and square photos. In its standard aspect ratio it can shoot 5.3K at 60fps, 4K at 120fps, or 2.7K at 240fps for super slow motion shots. With its brand-new versatile sensor, it can shoot in an 8:7 ratio which is perfect for those who use TikTok as well. There might be a massive price jump between the first and second-place cameras but depending on what you need it for, the GoPro Hero 11 would be a very good option. GoPro membership required to unlock features Read our full Sony A7S III review for more details Features that still shooters have come to take for granted while video shooters have always had a crippled AF that just didn’t offer all the bells and whistles. Such as all the clever AF systems with eye and face detection for humans and animals. And uses its computing power for fast readouts to enable quick frame rates and high bit rates at all settings, with all other functions working. Instead of chasing headlines, Sony worked on giving filmmakers the camera they needed, with lots of codec choices without limits on frame rates. It might not boast the 6K or 8K video resolution of some of its rivals today, and with only 12.1MP it’s not a powerhouse super-stills machine either.īut apart from an extensive and expensive cinema camera, it’s one of only a handful of cameras that can shoot 4K at 60p full frame with no crop, recorded internally, in 10-bit 4:2:2 with no limitations on recording time, and with all the advanced AF functions still working. It took Sony five years to upgrade the video-centric A7S II to a Mark III, but the wait was worth it for keen enthusiasts and professional filmmakers.
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